153 odpowiedzi w tym temacie

[Sokar]

Panikujecie. po pierwsze stacje utrzymują się z reklam, reklamy mają bo puszczają seriale. Nie ma nowych seriali, nie ma reklam. Nie ma reklam nie ma stacji TV. A do tego nikt nie dopuści. Dogadaj się.

[Luizjana]

Ja myślę, że stacje szybko nie zmiękną, ile można je doić, aktorzy chcą miliony za odcinek jak tylko serial osiągnie sukces, nie wspomnę o całej reszcie, scenarzyści za późno się obudzili, od paru ładnych lat kasa rośnie w tym sektorze i kiedy wszystko się decydowało trzeba było walczyć o swoje, a nie teraz kiedy tort jest podzielony; będzie to trwało, a stacje zawsze mogą dawać więcej sportu, reality-show i jakiś tańców z kimś tam, albo kupić jakieś tasiemce, amerykany też kochają brazyliane, a może od nas kupią M jak Shit, a co, my możemy to zdzierżyć to jankesy nie?

[biku1]

A BSG to czasem tez w kanadzie nie kreca? A mimo to strajk ma jakis wplyw na druga polowe planowanego sezonu. Ktos wie jak strajk wplynie na kluczowe seriale SF takie jak SGA czy BSG? Chociaz jakies spekulacje?

To wszystko to są "spekulacje"
I takie małe aktualne przypomnienie choćby te seriale są kręcone w Kanadzie a dokładnie w okolicach Vancouver:
-- Battlestar Galactica
-- Bionic Woman
-- Eureka
-- Stargate: Atlantis
-- i ten chyba też - Psych
-- Flash Gordon [ten już o godzinę drogi od Vancouver w stronę granicy z USA]
To tylko kilka obecnie znanych i na topie seriali.
Również nowy film : X-Files 2 będzie kręcony w Vancouver.

Tak jak to było gdzieś powyżej wspominane obecnie cześć seriali ma już nakręcone odcinki a cześć dopiero będzie miała bo scenariusze są już gotowe.
Więc miesięczny czy trochę dłuższy strajk to jeszcze nie zmienią jakoś drastycznie ramówek stacji.
Oczywiście Luizjana też ma rację,że scenarzyści trochę za późno się obudzili.
Nie mniej jednak teraz to jest próba sił kto prędzej zmięknie bo jak scenarzyści teraz odpuszczą to już nigdy w przyszłości nic sobie nie wywalczą więc będą się upierali przy swoim.
Istotną kwestią jest teraz ile to potrwa wydaje mi się,że przynajmniej do końca listopada nic konkretnego nie ustalą tylko będą się wzajemnie obserwować.
To będzie taki minimalny okres aby wszyscy wyszli z twarzą , że niby ani jedni ani drudzy szybko nieulegli.

A jak dla mnie to będzie jak powyżej pisali medusa i Pawel : "To będzie dobry czas na nadrabianie zaległości.:

Użytkownik biku1 edytował ten post 05.11.2007 - |19:37|

[Jonasz]

To wszystko to są "spekulacje"
I takie małe aktualne przypomnienie choćby te seriale są kręcone w Kanadzie a dokładnie w okolicach Vancouver:
-- Battlestar Galactica
-- Bionic Woman
-- Eureka
-- Stargate: Atlantis
-- i ten chyba też - Psych
-- Flash Gordon [ten już o godzinę drogi od Vancouver w stronę granicy z USA]
To tylko kilka obecnie znanych i na topie seriali.
Również nowy film : X-Files 2 będzie kręcony w Vancouver.

Ze krecony w Kanadzie, nie oznacza, ze scenarzysci sa Kanadyjczykami, a jesli nawet sa to pewnie naleza do tego samego zwiazku,

Użytkownik Jonasz edytował ten post 05.11.2007 - |19:39|

[biku1]

Jonasz nie to miałem na myśli wymieniając Kanadę jako miejsce kręcenia bo logiczne jest ,że w większości głównymi scenarzystami są amerykanie.
Chodziło mi o pokazanie ,że sporo obecnie popularnych seriali produkuje się poza granicami Stanów a mimo to strajk i tak będzie na nie wpływał.

[Luizjana]

Inna sprawa to przyspieszenie jakie będzie towarzyszyć, gdy strajk się skończy, do czego to prowadzi to widzieliśmy w 2 sezonie Prisona, który z drugą cześcią 1 sezonu był pisany na gorąco - padaka, więc nie zdziwiłbym sie jak będzimy może i oglądać seriale na czas, ale na kiepskim poziomie

[psjodko]

Inna sprawa to przyspieszenie jakie będzie towarzyszyć, gdy strajk się skończy,

A co to ma do rzeczy?
Przecież związki zawodowe nie zabraniają pisania "do szuflady"?

[mortis4321]

A co to ma do rzeczy?
Przecież związki zawodowe nie zabraniają pisania "do szuflady"?

Niby nie, ale pamietaj o roznych poprawkach, zmianach czy uwzgednieniu uwag innych osob niz sam scenarzysta.

[wergora]

Pamętacie lockout w NHL kilka lat temu? Też poszło o pieniądze. Skończyło się na tym że sezon rozpoczął się z rocznym opóźnieniem a poziom oglądalności ligi do dziś nie wrócił. W tym konkretnym sporze stawiam na scenarzystów. Studia mają zbyt wiele do stracenia a na okontowanie pisarzy i tak znajdą sposób. Taki Warner Bros i New Line Cinema w piękny sposób wykantowali P. Jaksona z tantiem za Trylogię. Do dziś się z nimi procesuje. Zresztą dlatego nie powstała ekranizacja Hobbita. A jedynymi przegranymi będą widzowie i aktorzy. Widzon zaserwują powtórki Strażnika Teksasu, a aktorzy ze słabych seriali wylecą na bruk. Przetrwa tylko Moda na Sukces. Nikt mi nie wmówi ten tam jest jakiś scenariusz.

[kwiatek]

Na początek lista seriali, któe będą miały problem ze względu na strajk WGA:
30 Rock, According to Jim, Aliens in America, American Dad, Army Wives, Back To You, Battlestar Galactica, Big Love, Bionic Woman, Bones, Boston Legal, Brothers & Sisters, Burn Notice, Canterbury's Law, Carpoolers, Cavemen , Chuck, Cold Case, Cory in the House, Criminal Minds, CSI: Crime Scene Investigation, CSI: New York, Desperate Housewives, Dexter, Dirt, Dirty Sexy Money, Eli Stone, ER, Eureka, Everybody Hates Chris, Family Guy, Frank TV, Friday Night Lights, Gossip Girl, Greek, Grey's Anatomy, Hannah Montana, Heroes, House, How I Met Your Mother, It's Always Sunny in Philadelphia, Jericho, Journeyman, Just Jordan, King of the Hill, K-Ville, Kyle XY, Law & Order, Law & Order: Criminal Intent, Law & Order: SVU, Lincoln Heights, Lost, Mad Men, Men In Trees, Miss/Guided, Monk, M.O.N.Y., Moonlight, My Boys, My Name is Earl, NCIS, New Amsterdam, Notes from the Underbelly, Out of Jimmy's Head, Private Practice, Reaper, Rules of Engagement, Samantha Who?, Shark, Terminator: The Sarah Connor Chronicles, The Big Bang Theory, The Closer, The New Adventures of Old Christine, The Oaks, The Office, The Philanthropist, The Riches, The Sarah Silverman Program, The Shield, The Simpsons, The Tonight Show with Jay Leno, The Unit, The Wire, Smallville, South of Nowhere, Suite Life on Deck, Swingtown, 'Til Death, True Blood, Ugly Betty, Two and a Half Men, Wizards of Waverly Place, Women's Murder Club.

Parę słów po liście, nie ma Stargate Atlantis Potwierdził to Joseph Mallozzi, mówiąc, że strajk na SGA nie będzie miał żadnego wpływu.
Nie ma Prison Break i co ciekawe CSI: Miami, pozostałe 2 seriale CSI są...
Pewnie nie ma też i innych seriali, ale dla tego forum chyba najistotniejsze są te najszerzej omawiane


Teraz czas na fakty ogólne o strajku i jego wpływie na świat TV.
W 1988 roku strajk trwał 4 miesiace i kosztował 500mln $, ekonomiści jasno mówią, że jeśli teraz potrwa tyle samo to kwota bedzie conajmniej 2 razy większa.
Jeśli szybko się nie dogadają, to najbliższym sezonie nie będzie ani jednego nowego serialu, bo teraz jest czas na pisanie pilotów nowych seriali, żeby można te piloty nakręcić i pokazać jakoś na wiosnę do akceptacji. Wygląda jednak na to, że studia rezygnują z produkcji pilotów, nawet jeśli scenariusze otrzymali. Bo może się okazać, że i tak nie będzie komu pisać kolejnych odcinków.
W tym momencie studia twierdzą, że mają materiałów (czytaj scenriuszy) na jakiś miesiąc zdjęć, co przekłąda się na ogół na 4 odcinki danego serialu. Dramaty itp 40 minut trwania, kręcony jest jeden odcinek na tydzień (na ogół przez 5 dni). Komedie itp 20 minut trwania, kręcony jest jeden odcinek na tydzień (na ogół przez 1 dzień).
Teraz studia staraja się zgromadzić maksymalnie dużo scenariuszy, które mogą trafić przed kamery, bo niektóre mimo, że wstępnie stworzone nadają się tylko do kosza. Nie ma też aż tak wielkiego znaczenia, czy uda się znaleźć o jeden scenariusz więcej czy o 2 mniej, na dłuższą metę jest to nieistotne. Jeśli w jakimś scenariuszu konieczne są tylko niewielkie poprawki to studia mogą to zrobić same, w końcu są ich właścicielami. Mówi się, że jeśli dany scenariusz będzie prezentował się na poziomie około 85% tego co normalnie jest kręcone, to jeśli straj będzie trwał to taki scenariusz zostanie wstawiony w cykl produkcyjny, a jeśli będzie jeszcze gożej to już nie. Tak czy inaczej pewnien spadek jakości seriali może być widoczny.
Sprawa nowych seriali, w przypadku których stacje postanowiły z 13 odcinków przejść na cały sezon, jest jeszcze cięższa, bo wiadomo 13 odcinków zostało przygotowane i na tym koniec, no chyba, że informacja o zamówieniu reszty sezonu pojawiła się dawno i prace nad resztąjuż ruszyły, ale jeśli stacje podjęły decyzję na dniach lub dopiero ją podejmą (normalnie czas na to jest do połowy grudnia), ogólne opóźnienia mogą tylko utrudnić pracę z tymi serialami.
Jeśłi strajk potrwa miesiące, to w nowym sezonie od jesieni 2008 w ramówkach będzie masa programów informacyjnych i reality, kosztem seriali niestety.

A tu cały artykuł w wersji angielskiej:

TV could be hit hard
Long strike could ground pilot season

Latenight talkers, daytime sudsers and primetime multicam laffers will feel the pinch first, once TV writers hit the picket lines.
But should scribes and producers not hammer out a deal quickly, network and studio execs warn that much of pilot season could be tossed. And some even say that may not be a bad thing.

Meanwhile, once the last batch of hastily written scripts is shot -- or deemed unproduceable -- and the final notes are given on pilot scripts (which will then collect dust on someone's desk), tube execs may suddenly have a little more time on their hands. Some may even be enlisted to help out on the reality side, where activity will be frenzied as nets look to fill the scripted void.

Here's what may transpire at the networks and studios in the coming weeks, should a writer walkout drag on:


Latenight. NBC's "Tonight Show" and "Late Night," along with CBS' "Late Show" and "Late, Late Show" are all expected to go dark today. Ditto Comedy Central's "The Daily Show" and "Colbert Report."
More than one option(Film) Nachtorstellungen
(Film) Late Show
(Film) Late Show
1999 - Thomas Gottschalk, Helmut Dietl
(Tv) Late Show
ABC still wasn't saying what would happen with "Jimmy Kimmel Live," though odds suggest it'll shut down, too.

Robert Morton, the former Letterman producer who was at the helm of NBC's "Late Night With David Letterman" during the 1988 WGA strike, said Letterman and Leno feel compelled to back their union --even though, as performers, they could still be on the air Monday if they wanted.

"I think they have to show support for their writing staffs," said the producer, who now heads Panamort Prods. ("The Mind of Mencia"). "Even if they want to go back, they have to give their writers due respect."

It's widely expected the major latenight skeins eventually will return to the air, as they did in 1988.

"You want to be supportive of your guild, but when you have people making $600 a week possibly losing their jobs, you have to think of them, too," Morton said.

But while the skeins stayed dark for four months back then, it's hard to believe Dave, Jay and company will keep mum that long this time.

One network insider thinks it could be at least several weeks, however -- throwing a major monkey wrench in studios' plans to hype their holiday movies.

Nets, eager to provide a hospitable environment for movie ads, may cooperate with studios by airing repeats featuring past appearances by actors who have current movies in release. A Letterman rerun featuring Tom Hanks or Julia Roberts could be slated the same week "Charlie Wilson's War" opens.

Whenever the hosts return, it's unclear what they will be able to do. They're clearly allowed to perform under their AFTRA agreements, but they may not be able to write their own monologue jokes.

"It might look a lot like 'host chat' on 'Regis and Kelly,' " one latenight insider said, predicting cue card jokes would be replaced by impromptu ramblings. "The hosts will just come out and talk about what's going on."

Those who remain on the shows will all have to struggle to fill airtime normally reserved for jokes and sketches. Morton recalls the last strike, when then-helmer Hal Gurnee came up with "Hal Gurnee's Network Time Killers" to close up the gaps.


Current series: Right now, studio execs say they've got a month of production left to go on single-camera dramas and comedies -- that is, if scripts are in tip-top shape and can shoot without any changes.
"For the next couple of weeks, we'll be busy trying to complete episodes that were either in production as of Monday or for which we have scripts that we can shoot," said one studio chief. "There will be impediments, though, from people not wanting to cross the picket lines to people not wanting to honor contracts."

A studio exec said the focus on how many scripts are available to shoot isn't as crucial as some have made it out to be -- having eight episodes vs. nine in the can, for example, won't make much of a difference.

"People are pretty focused on trying to get as many shootable scripts ready as possible, but one more or two less won't make or break our business, the networks or even impact a strike," he said.

The exec said his studio will decide whether to actually shoot a script sans writers once they see how polished the piece is once pencils go down at 12:01 this morning.

If only minor tweaks are needed, studio execs could potentially make the changes themselves -- ultimately, they own the scripts, after all. But scripts in need of major triage simply will not be produced.

"If you felt like an episode was at 85% of what it normally will be, you would probably produce it, but below that, you wouldn't produce it," the exec said.

All those rumors of script stockpiling, however, were mostly talk. Given the schedule for writing primetime shows -- now is around the time staffs start to fall behind -- that would be virtually impossible.

"Most of TV is hand-to-mouth," one exec said. "You can't get too far ahead."


Sudsers. Most have a backlog of completed episodes and scripts that should keep viewers in a lather through year's end.
After that, it's possible network execs and producers could use existing story outlines to write scripts themselves, as happened in 1988.


Quizzers. Most shows don't have WGA scribes or can get along without them. Exceptions: syndie powerhouse "Jeopardy" and the daytime version of "Who Wants to Be a Millionaire" are WGA shows.
However, as with many quizzers, both shows tape episodes far in advance.

It's understood producer Sony has enough segs in the can to keep the show in originals through April. And "Millionaire" will tape its final seg of the current season this week, ensuring no repeats this season.


Back-nine orders. Only a handful of new fall shows have been given full-season orders, in part because webs wanted to see if a strike took place. Once a walkout begins, shows that would be likely to get back-nine orders may be forced to wait a lot longer.
"We don't legally have to pick up more episodes until mid-December or later," one exec said. "You might as well wait."


Development/pilot season. The status of projects is all over the map.
In many cases, the nets picked up spec scripts -- which are potentially in decent enough shape to be shot.

NBC, for example, has more than a half-dozen pilots ready to lense, many with big-name helmers attached (Brett Ratner, Richard Shepard).

A few pilots already have taped, including ABC's Cedric the Entertainer comedy.

Other projects are in early drafts that already have been turned in; the majority, however, probably were not going to be turned in until Thanksgiving.

"Some good scripts are in, but we'll take a hard look at them," one exec said. "Whether we'll feel they're good enough is another thing. The idea of not being able to rewrite them at all is scary."

Meanwhile, even if pilot scripts are in, studio and network chiefs said they're not so sure they want to spend the money to produce a pilot -- especially if the actors plan to go on strike in summer.

"Pilot season will definitely be in jeopardy if the strike goes on a while," said one top exec.

Another suit put the dilemma facing nets this way: "Do you want to make a pilot and July 1 have your actors go on strike, and then be sitting there with a pilot you invested $6 million or $7 million between the network and studio, but can't utilize it for some period of time?

"That's why right now I don't know whether we'll be taking any of those scripts."

And if a strike continues, execs said, pilot season will "grind to a halt."

"Maybe a few pilots will be made, but you're looking at an entirely different upfront," an exec said.

If a strike is settled by late spring, the nets could also take a handful of scripts and simply roll the dice by ordering them to series, pilots be damned. (Not an entirely foreign concept -- projects like Fox's Joss Whedon/Eliza Dushku drama already have episodic commitments, and cablers including FX normally produce just a handful of pilots and usually greenlight the majority of those to series anyway.)

"How much worse can we do?" an exec said.

Considering the diminished returns the nets see on a yearly basis, there's actually an argument to be made that the nets should simply return most of this year's shows next fall -- saving money by not having to promote new scripted fare and instead trying to grow the shows already on the air, including series on the bubble.

"I could set next fall's schedule now without development at all," one network head said.

But without a settlement by the upfronts, what would fall 2008 look like?

"My guess is all the networks will be able to announce schedules next fall with primarily new programming, but it will have a lot of reality and news," one exec said. "Maybe Fox will have some animated shows that will be available to them. But the upfront will be a very different upfront."

For starters, the nets may forgo the massive Carnegie Hall/Lincoln Center/Radio City Music Hall song-and-dance show in front of thousands of media buyers.

"Maybe instead of a New York hall, they'll just meet with individual ad agencies -- it will be a modified upfront," an exec said.


Network execs. Don't expect people in the network suites to lose their jobs right away. "We're not going to lay anybody off until we have to, and that would have to be a very long strike," said one topper.
Instead, many current and development staffers may find themselves helping out their brethren in the alternative programming divisions -- which are expected to kick into overdrive if a strike wears on.

"There's a bunch of scripted development people here freaking out at the prospect of not being busy," said one net exec. "They're begging to help out the reality people."

Lines between reality and scripted have blurred so much in recent years that the skill sets for the two genres are now similar.

That said, alternative execs will not necessarily welcome input from scripted suits. One wag laughed at the idea of Fox alternative prexy Mike Darnell -- known for operating his own kingdom within the net -- enlisting Fox's scripted team.

One studio exec said his alternative team is already dusting off reality ideas that have been percolating for a while.

"I know that we've been keeping some things on the shelf to pitch," he said. "There will be plenty to do for a while."


The TV Critics Assn. press tour. There's already talk that the semiannual powwow -- in which nets hype their new shows -- could be scaled back if a strike lasts.
A network insider said TCA prexy Dave Walker will meet with the networks on Monday to discuss strike scenarios. While journos need some notice before making hotel reservations, networks say they can postpone a call on the TCA until at least December.

[Rydzu_SSJ]

kwiatek do tej listy trzeba jeszcze dołączyć jeszcze Supernatural, który też nie ma ukończonych wszystkich scenariuszy (czytałem o tym gdzieś indziej)...

[pancor]

Chuck, Dexter, Greek, Heroes, House, Jericho - wlasciwie tylko tych seriali mi szkoda, reszta do olania +supernatural :/

[elam]

kwiatek, pozwolilam sobie skopiowac twojego posta na forum Science-fiction.

[kwiatek]

kwiatek, pozwolilam sobie skopiowac twojego posta na forum Science-fiction.

Ok, nie ma sprawy


To teraz kolejne info, więcej szczegółów

Przerwa w produkcji Desperate Housewives oraz The Office.

"Desperate Housewives" will shut down production tomorrow, according to creator Marc Cherry. And NBC's "The Office" has shut down production because lead actor Steve Carell, who also writes the highly improvised show, has refused to cross the picket line.

A teraz konkrety o ilości odcinków - scenariuszy (niekompletne, ale zawsze)

Soaps
ABC Says its soaps are written "well into the new year," however, and that they will "continue to produce original programming with no repeats and without interruption."
CBS Expected to continue through February.
NBC ("Days of Our Lives") Expected to continue through January.


Syndicated Shows
"Ellen" Decided not to tape her show Monday in support of the striking writers. Some writers on her show are guild members. Monday's and Tuesday's shows were taped last week, a spokesman said. DeGeneres has yet to decide whether to go ahead with further shows this week.


Late Night
"Real Time with Bill Maher," "Colbert Report," "The Daily Show" and "Saturday Night Live" Will go into repeats immediately.
"The Tonight Show" and "The Conan O'Brien Show" Will go into repeats immediately.
"Jimmy Kimmel Live" Staffed with WGA writers, so it would probably go to repeats. But Kimmel could also decide to wing it and do the show himself.
"Nightline" Will remain live and in originals.

ABC
"Desperate Housewives" Has nine episodes written, which should last through the first week of December. Production said to shut down Thursday.
"Grey's Anatomy" Has 11 to 13 episodes of 22 completed.
"Ugly Betty" Will have 13 out of 24 episodes completed.
"Boston Legal" Will have 14 or 15 of 22 episodes completed.
"Lost" Expected to have eight out of 16 episodes ready. Midseason, none have aired yet.
"Pushing Daisies" Will have nine of 22 episodes.
"Big Shots" Will have 13 of 13 episodes written. Shooting its ninth episode Nov. 7.
"Cavemen" Expected to have 12 out of 13 episodes completed; has not received an order for a full season.
"Men in Trees" Has five episodes left over from last season, 10 new episodes shot, four more scripts to shoot; adds up to 19 out of 27 for the season.
"Cashmere Mafia" The premiere has been delayed because of the strike.
"The View" Will continue uninterrupted, according to a spokesman.
"Dirty Sexy Money" Expected have between 11 and 13 episodes completed.
"Brothers & Sisters" Expected to have either 11 or 12 episodes completed.
"Eli Stone" Will have 13 of 13 ordered. Midseason premiere date is undetermined.

CBS
"CSI: Miami" Will have 13 out of 24 episodes completed.
"Criminal Minds" Will have 12 of 22 episodes completed.
"Moonlight" Expected to have 11 out of 12 episodes completed; has not received an order for a full season.
"Cane" Expected to complete all 13 episodes; has not yet received an order for a full season.
"Jericho" Will have seven of seven episodes.

NBC
"My Name is Earl" Has 13 out of 13 episodes completed.
"Law & Order: SVU" 14 of 22 episodes completed.
"Medium" Will have nine of 22 episodes completed.
"30 Rock" Has nine out of 22 episodes completed, with several days of shooting for the 10th episode scheduled for this week.
"Friday Night Lights" Expected to complete 15 of 22 episodes.
"Scrubs" Expected to complete 12 of 18 episodes.
"Journeyman" Expected to complete 13 of 13 episodes; has not yet received an order for a full season.

CW
"Everybody Hates Chris" Expected to complete 22 of 22 episodes.
"Gossip Girl" Expected to complete 13 of 22 episodes.
"Supernatural" Has 10-12 episodes completed;
Those shows also have roughly five scripts that are ready to shoot.

"America's Next Top Model," "Beauty and the Geek" and new shows such as "Crowned" (the mother-daughter beauty contest) Three of a number of reality shows that have already been ordered up, meaning they are covered for the rest of the season

Fox
"24" Will have eight or nine out of 24 episodes completed. Midseason, none have aired yet.
"Back to You" Will have nine episodes completed out of 24 total episodes ordered.
"K-Ville" Will have 10 of 13 episodes completed.

USA
"In Plain Sight" New show, episodes are nearly wrapped
"Psych" and "Monk" Enough scripts in hand to guarantee a full second half of each season
"Law and Order: Criminal Intent" Enough for first half of the season (10); the second half (12) will be affected (meaning not enough scripts to guarantee production start as scheduled.)
"Burn Notice" Scheduled to start production of Season 2 in January
"Starter Wife" Scheduled to start production in March

Sci-Fi
"Stargate Atlantis" Expected to go on as scheduled.
"Battlestar Galactica" Has 10 hours of episodes, plus a two hour movie to air this Fall.
"Eureka" Will be affected.

FX
"Thirty Days" Completed, not expected to be affected.
"Nip/Tuck" 5th season, the 22 episodes were planned for two cycles: 14 to run from now to February and eight next year. All 14 in the first cycle have been written. So, only the second cycle could be affected.
"The Shield" The final season is written, no date set for airing.
"The Riches" Seven of 13 are written, reportedly good through Dec. 10
"Dirt" Production is underway, and it could be affected.
"Rescue Me" fifth season, just announced, would be affected since production is expected to start in early '08.
"Damages" No word yet on whether it would be picked up

HBO
"Entourage" and "Big Love" Are currently in the writing stages and were scheduled to air in the summer of 2008.
"True Blood" and "12 Miles of Bad Road" Have begun production.
"The Wire" Completed and will air as scheduled.
"In Treatment" New series will air as scheduled.

Showtime
"Dexter," "Weeds," "Californication" and "Brotherhood" Have ended or will be ending their season runs.
"The Tudors" Second season returns in late March, completed production Nov. 1 on 12 episodes.
A new Tracey Ullman series Five-episode series is shot.

[Pawel]

Chuck, Dexter, Greek, Heroes, House, Jericho - wlasciwie tylko tych seriali mi szkoda, reszta do olania +supernatural :/

Chuck, Dexter i Jericho mają nakręcone wszystkie odcinki ich obecnych sezonów.

Swoją drogą, niech CBS jeszcze trochę poczeka z emisją tych 7 odcinków Jericho do czasu aż zaczną z ramówek znikać inne seriale zastępowane przez reality czy teleturnieje. Wtedy może Jericho będzie miało większą szansę na 3 sezon bo i oglądalność może byłaby większa .

[kwiatek]

No i kolejne dane, tym razem wszystko o zmianach w FOX.

Premiera 24 sezon 7 odsunięta w czasie, do kiedy na razie nie wiadomo.
Prison Break leci bez przerw od 14 stycznia, a nie tak jak to miało być od kwietnia. Koniec sezonu w ostatni poniedziałek lutego.
Zaraz za (a nie zamiast) Prison Break będzie emitowane Terminator: The Sarah Connor Chronicles (ostani odcinek 3 marca).

A tu całość informacji od FOX:

FOX ANNOUNCES REVISED LINEUP FOR 2007-08 SEASON

"AMERICAN IDOL" RETURNS WITH 2-NIGHT, 4-HOUR PREMIERE TUESDAY, JAN. 15, AND WEDNESDAY, JAN. 16

ADDITIONAL PREMIERE DATES INCLUDE: "TERMINATOR: THE SARAH CONNOR CHRONICLES" JAN. 13 AND 14; "THE MOMENT OF TRUTH" JAN. 23; "NEW AMSTERDAM" FEB. 22; "UNHITCHED" MARCH 2; "WHEN WOMEN RULE THE WORLD" MARCH 3; "THE RETURN OF JEZEBEL JAMES" MARCH 7; "HELL'S KITCHEN" APRIL 1; AND "CANTERBURY'S LAW" APRIL 11

MIX OF ORIGINAL AND ENCORE EPISODES TO BEGIN IN JANUARY; "BONES" MOVES TO FRIDAYS STARTING JAN. 4; "PRISON BREAK" RETURNS TO MONDAYS JAN. 14; "'TIL DEATH" MOVES TO FRIDAYS BEGINNING MARCH 7; "BACK TO YOU" AIRS WEDNESDAYS AT 9:30 PM AS OF MARCH 12

"24" PREMIERE POSTPONED TO ENSURE "DAY 7" PROVIDES NON-STOP ACTION

In light of the recently announced strike by The Writers Guild of America, FOX has revised its lineup for January and the remainder of the 2007-2008 season. (The new schedule is subject to change, pending resolution of the strike.)

The highly anticipated drama TERMINATOR: THE SARAH CONNOR CHRONICLES will have a two-night premiere on Sunday, Jan. 13 (8:00-9:00 PM ET/PT) and Monday, Jan. 14 (9:00-10:00 PM ET/PT), the show's regular time period. PRISON BREAK, which has its last November airing on Monday, Nov. 12 (8:00-9:00 PM ET/PT), returns to Mondays (8:00-9:00 PM ET/PT) beginning Jan. 14.

The seventh season premiere of 24 is being postponed to ensure that "Day 7" can air uninterrupted, in its entirety.

Television's No. 1 show, AMERICAN IDOL, returns for Season Seven with a two-night, four-hour premiere event Tuesday, Jan. 15 and Wednesday, Jan. 16 (8:00-10:00 PM ET/PT). New game show THE MOMENT OF TRUTH premieres Wednesday, Jan. 23 (9:00-10:00 PM ET/PT).

Two popular FOX dramas take over Friday nights starting Friday, Jan. 4, when BONES has its time period premiere at 8:00-9:00 PM ET/PT and encores of HOUSE begin weekly appointments at 9:00-10:00 PM ET/PT. Comedy TIL DEATH also moves to Fridays, beginning with the time period premiere on Friday, March 7 (8:00-8:30 PM ET/PT).

HOUSE will air in its regular time period after AMERICAN IDOL on Tuesdays (9:00-10:00 PM ET/PT) starting Jan. 22, and also will encore on Mondays (9:00-10:00 PM ET/PT) beginning March 10. An original episode of HOUSE with guest star Mira Sorvino will immediately follow Super Bowl XLII on Sunday, Feb. 3, as previously announced.

In addition to AMERICAN IDOL, the Sunday-night animated comedies THE SIMPSONS, KING OF THE HILL, FAMILY GUY and AMERICAN DAD as well as ARE YOU SMARTER THAN A 5th GRADER?, DON'T FORGET THE LYRICS!, COPS and AMERICA'S MOST WANTED: AMERICA FIGHTS BACK all will continue with original episodes, while a mix of original and encore episodes is currently planned for HOUSE, BONES, TIL DEATH and BACK TO YOU. Encore episodes of BACK TO YOU will follow AMERICAN IDOL on Wednesdays (9:30-10:00 PM ET/PT) beginning March 12.

Several new and returning shows are set to premiere in the spring. The drama NEW AMSTERDAM debuts Friday, Feb. 22 (9:00-10:00 PM ET/PT). The Farrelly Brothers comedy UNHITCHED premieres Sunday, March 2 (9:30-10:00 PM ET/PT) for a six-week run in the time period. On Monday, March 3, unscripted role-reversal series WHEN WOMEN RULE THE WORLD (working title) debuts (8:00-9:00 PM ET/PT). Friday, March 7 marks the series premiere of comedy THE RETURN OF JEZEBEL JAMES (8:30-9:00 PM ET/PT). Fiery chef Gordon Ramsay suffers no fools on Tuesday, April 1 (9:00-10:00 PM ET/PT), when HELL'S KITCHEN returns for Season Four. And new drama CANTERBURY'S LAW starts making its case Friday, April 11 (9:00-10:00 PM ET/PT).

New series joining the FOX schedule include:

About TERMINATOR: THE SARAH CONNOR CHRONICLES: TERMINATOR: THE SARAH CONNOR CHRONICLES is an exciting reinvention of the "Terminator" film franchise. Again facing relentless Terminators that will stop at nothing until 15-year-old John Connor (Thomas Dekker), the future leader of the resistance, is eliminated, Sarah Connor (Lena Headey) stops running and starts fighting back against fate and the machines that are out to get her son. The show also stars Sumnmer Glau as John's classmate, the fearless, otherworldly Cameron; and Richard T. Jones as FBI Agent James Ellison.

About THE MOMENT OF TRUTH: THE MOMENT OF TRUTH (previously announced as NOTHING BUT THE TRUTH, working title) will put contestants to the test the lie detector test to reveal whether or not they are willing to tell the truth for a chance to win half a million dollars. The new game show is hosted by Mark L. Walberg.

About UNHITCHED: Executive-produced by the Farrelly Brothers, this single-camera comedy revolves around four unattached friends who actually want to be married and must navigate the tricky waters of dating in their 30s. The series stars Craig Bierko, Rashida Jones, Johnny Sneed and Shaun Majumder.

About WHEN WOMEN RULE THE WORLD (working title): Set in a primitive, remote location, this unscripted series explores what happens when a group of strong, educated and independent women, tired of living in a man's world, rule over a group of unsuspecting men used to calling the shots.

About THE RETURN OF JEZEBEL JAMES: From Amy Sherman-Palladino and Daniel Palladino, this comedy stars Parker Posey as Sarah, a successful children's book editor who reconnects with her estranged and free-spirited younger sister Coco, played by Lauren Ambrose. The series also stars Scott Cohen as Sarah's no-strings-attached boyfriend, Marcus; Michael Arden as her loyal and slightly terrified assistant, Buddy; and Ron McLarty and Dianne Wiest (in a recurring role) as the girls' meddlesome parents, Ronald and Talia.

About NEW AMSTERDAM: This drama series tells the story of a brilliant and enigmatic New York homicide detective, John Amsterdam (Nikolaj Coster-Waldau), who has a profound secret: He is immortal, and will not age until he meets his one true love. Also starring are Zuleikha Robinson as Amsterdam's new partner, Eva Marquez; Alexie Gilmore as Dr. Sara Dillane; and Stephen Henderson as Omar, Amsterdam's sole confidant.

About CANTERBURY'S LAW: From the producers of "Rescue Me," this courtroom drama centers on rebellious defense attorney Elizabeth Canterbury (Julianna Margulies), who's willing to bend the law in order to protect the wrongfully accused. The series also stars Aidan Quinn (in a recurring role) as Canterbury's husband, Matt; Ben Shenkman as her colleague Russell Krauss; and Keith Robinson and Trieste Dunn as Chester Grant and Molly McConnell, the associates rounding out Canterbury's legal team.

RECAP FOX JANUARY THROUGH MAY
(All times ET/PT except as noted)

MONDAY

Monday, Jan. 7:
7:30 PM-CC ET ALLSTATE BCS NATIONAL CHAMPIONSHIP GAME (LIVE)

Mondays, beginning Jan. 14:
8:00-9:00 PM PRISON BREAK
9:00-10:00 PM TERMINATOR: THE SARAH CONNOR CHRONICLES (Time Period Premiere)

Monday, March 3:
8:00-9:00 PM WHEN WOMEN RULE THE WORLD (wt) (Series Premiere)
9:00-10:00 PM TERMINATOR: THE SARAH CONNOR CHRONICLES

Mondays, beginning March 10:
8:00-9:00 PM WHEN WOMEN RULE THE WORLD (wt)
9:00-10:00 PM HOUSE (Time Period Premiere)

***************************

TUESDAY

Tuesday, Jan. 1:
8:00 PM-CC ET ALLSTATE SUGAR BOWL (LIVE)

Tuesday, Jan. 15:
8:00-10:00 PM AMERICAN IDOL (Season Premiere, Part 1)

Tuesdays, beginning Jan. 22:
8:00-9:00 PM AMERICAN IDOL (Time Period Premiere)
9:00-10:00 PM HOUSE

Tuesdays, beginning April 1:
8:00-9:00 PM AMERICAN IDOL
9:00-10:00 PM HELL'S KITCHEN (Season Premiere)

WEDNESDAY

Wednesday, Jan. 2:
7:30 PM-CC ET TOSTITOS FIESTA BOWL (LIVE)

Wednesday, Jan. 16:
8:00-10:00 PM AMERICAN IDOL (Season Premiere, Part 2)

Wednesdays, beginning Jan. 23:
8:00-9:00 PM AMERICAN IDOL
9:00-10:00 PM THE MOMENT OF TRUTH (Series Premiere)

Wednesdays, beginning March 12:
8:00-9:00 PM THE MOMENT OF TRUTH (Time Period Premiere)
9:00-9:30 PM AMERICAN IDOL
9:30-10:00 PM BACK TO YOU (Time Period Premiere)

***************************

THURSDAY

Thursday, Jan. 3:
7:30 PM-CC ET FEDEX ORANGE BOWL (LIVE)

Thursdays, beginning Jan. 10 (No changes to lineup):
8:00-9:00 PM ARE YOU SMARTER THAN A 5th GRADER?
9:00-10:00 PM DON'T FORGET THE LYRICS!

***************************

FRIDAY

Fridays, beginning Jan. 4:
8:00-9:00 PM BONES (Time Period Premiere)
9:00-10:00 PM HOUSE (Time Period Premiere)

Friday, Feb. 22:
8:00-9:00 PM BONES
9:00-10:00 PM NEW AMSTERDAM (Series Premiere)

Fridays, beginning March 7:
8:00-8:30 PM TIL DEATH (Time Period Premiere)
8:30-9:00 PM THE RETURN OF JEZEBEL JAMES (Series Premiere)
9:00-10:00 PM NEW AMSTERDAM

Fridays, beginning April 11:
8:00-8:30 PM TIL DEATH
8:30-9:00 PM THE RETURN OF JEZEBEL JAMES
9:00-10:00 PM CANTERBURY'S LAW (Series Premiere)

***************************

SATURDAY

Saturdays, beginning Jan. 5: (No changes to lineup)
8:00-8:30 PM COPS
8:30-9:00 PM COPS
9:00-10:00 PM AMERICA'S MOST WANTED: AMERICA FIGHTS BACK
11:00 PM-Midnight MADtv
Midnight-12:30 AM TALKSHOW WITH SPIKE FERESTEN

***************************

SUNDAY

Sundays, beginning Jan. 6: (No changes to lineup)
7:00-7:30 PM VARIOUS COMEDY ENCORES
7:30-8:00 PM VARIOUS COMEDY ENCORES
8:00-9:00 PM THE SIMPSONS
8:30-9:00 PM KING OF THE HILL
9:00-9:30 PM FAMILY GUY
9:30-10:00 PM AMERICAN DAD

Sunday, Jan. 13:
7:00-7:30 PM VARIOUS COMEDY ENCORES (West Coast only)
7:30-8:00 PM VARIOUS COMEDY ENCORES (West Coast only)
8:00-9:00 PM TERMINATOR: THE SARAH CONNOR CHRONICLES (Series Premiere)
9:00-9:30 PM FAMILY GUY
9:30-10:00 PM AMERICAN DAD

Sunday, Feb. 3 (Super Bowl Sunday):
6:00 PM ET SUPER BOWL XLII (Approx. 4 hours, LIVE)
Approx. 10:00 PM ET HOUSE (Original episode; guest star Mira Sorvino)

Sundays, beginning March 2:
7:00-7:30 PM COMEDY ENCORES (West Coast only on 3/2 due to NASCAR)
7:30-8:00 PM COMEDY ENCORES (West Coast only on 3/2 due to NASCAR)
8:00-8:30 PM THE SIMPSONS
8:30-9:00 PM KING OF THE HILL
9:00-9:30 PM FAMILY GUY
9:30-10:00 PM UNHITCHED (Series Premiere)

Sundays, beginning April 13:
7:00-7:30 PM COMEDY ENCORES
7:30-8:00 PM COMEDY ENCORES
8:00-8:30 PM THE SIMPSONS
8:30-9:00 PM KING OF THE HILL
9:00-9:30 PM FAMILY GUY
9:30-10:00 PM AMERICAN DAD

[Lucas_Alfa]

A ja się pytam, po co w ogóle istnieje taki wynalazek jak tantiemy? Człowiek pisze scenariusz, książkę, kręci film na podstawie umowy o dzieło. Zrobił swoje, zapłacili mu, niech spada. Taka powinna być kolej rzeczy. Tantiemy to nic innego jak pasożytnictwo. Przez taki idiotyczny wynalazek marny aktorzyna, który od 30 lat nie zagrał w filmie dostaje kasę za to, że jego film puszczają po raz 50 w telewizji.

Aktorzy nie będą narzekać na scenarzystów bo to jest zamknięte koło. Sami ciągną niezłą kasę z tantiemów, a bez scenarzystów zostanie im tylko to. Aktorzy, choćby nie mieli pracy przez dwa lata, to nie powiedzą złego słowa o strajku, a nawet będą dowozić, jak niektóre gwiazdki, pizzę dla strajkujących. Są w stanie pozwolić sobie na urlop od pracy i wiedzą, że nie ma sensu walczyć ze scenarzystami, bo jeśli scenarzyści powiedzą, że robić nie będą, to i sami aktorzy nic nie zyskają.

Teraz widać, jak powalony jest to system. Kiedyś każdy każdemu tyłek całował, ustalano zasady kto komu i kiedy całuje, ale okazało się, że jedni są niezadowoleni, bo wszystkim całują tylko nie im. No to się obrazili. Najlepszym wyjściem byłoby całkowite zniesienie tworu zwanego tantiemami. Dzieło jest gotowe, to powinno żyć własnym życiem a nie zarabiać tylko dlatego, że istnieje. Niedługo pewnie wózkowi też będą chcieli kasę za to, że kierowali meleksami na planie filmowym. Daj coś jednemu, to znajdzie się drugi, który będzie chciał tyle samo. Najlepiej nie dawać nikomu.

Co tam. Niech cały ten biznes pójdzie do piachu. Może na jego zgliszczach wyrośnie nowy, bardziej racjonalny i uczciwy.

Użytkownik Lucas_Alfa edytował ten post 08.11.2007 - |16:36|

[elam]

a mi szkoda "Moonlight'a". lubie ten serial...
czy w ogole zrezygnuja z niego, czy tez jest szansa, ze bedzie ciag dalszy? bo kwiatek pisal, ze nie bedzie calego sezonu - to znaczy : na razie, czy go kanczeluja zupelnie?

[biku1]

Przy okazji tego strajku zaczynają wychodzi zaszłe "brudy".
Na Sajfaju jest fajny artykuł pod znaczącym tytułem - "SciFi Channel Forced 'Battlestar' Webisodes" z wypowiedziami Ronald D. Moore'a.
Na temat jak to SciFi Channel przed nadchodzącym sezonem 3 chcąc podtrzymać zainteresowanie fanów BSG "zaangażowało" się w produkcję webisodów.
Ich "zaangażowanie" polegało na tym,że studio nie chciało nikomu z aktorów, scenarzystów, reżyserów - podsumowując wszystkim którzy brali udział w powstawaniu webisodów - zapłacić za wykonana przez nich pracę.
Jednym słowem jak widać stacje-studia nieźle sobie lecieli w kulki z ludźmi i teraz mają taka sytuację jaką mają.

Najfajniejsze są ostatnie słowa Moore'a : "Ultimately, that's why we're here, because that's just wrong."

A tu w oryginale:

SciFi Channel Forced 'Battlestar' Webisodes
Remember all that hub-bub about SciFi Channel releasing Webisodes of "Battlestar Galactica" before the third season premiered? Apparently, the real story about what happened behind the scenes has come out.

The signature show's executive producer, Ronald D. Moore, was among hundreds of writers picketing in Los Angeles over the last few days as part of the Writers Guild of America strike, and shared with E! Online some of the details of what happened when the network decided it wanted to produce some teasers to hold fans over until the third season premiere.

"When we were approached to do 'Galactica' Webisodes, the studio's position was they didn't want to pay anyone to do it," Moore said. "They considered it promotional material. They weren't going to pay any of the writers or the actors or the directors to do it, which we thought was crazy."

At first, the crew refused to do them, but SciFi Channel eventually sweetened the pot saying they would pay everyone to create the Webisodes, however they compromised saying they wouldn't actively give credit to those who produced it.

"They weren't going to acknowledge anybody who wrote it," Moore said. "And then I refused to deliver the Webisodes, and they came and took them anyway, which is their right since they own the show ... but it really made me aware of the issues."

At the time the Webisodes were about to be released, the WGA demanded that the network credit writers and compensate them or not to release the Webisodes. SciFi Channel didn't comply, and the Webisodes were released almost as scheduled. It was later reported by SyFy Portal that the Webisodes were written by the team of David Weddle and Bradley Thompson.

But that wasn't all that Moore was upset about.

"I mean, my staff writer, who is the lowest man on the totem pole, they want him to do all this work for another media and not pay him for it, and then make money off of his work. Ultimately, that's why we're here, because that's just wrong."

Użytkownik biku1 edytował ten post 08.11.2007 - |23:16|

[kwiatek]

a mi szkoda "Moonlight'a". lubie ten serial...
czy w ogole zrezygnuja z niego, czy tez jest szansa, ze bedzie ciag dalszy? bo kwiatek pisal, ze nie bedzie calego sezonu - to znaczy : na razie, czy go kanczeluja zupelnie?

No to powiem, co wiem na tmat Moonlight
W informacji zbiorczej odnośnie strajku było:

"Moonlight" Expected to have 11 out of 12 episodes completed; has not received an order for a full season.

Jest to nieco niedokładne, bo serial na początku miał zamówione 13 odcinków, wygląda na to, że gotowe do emisji jest, czy też będzie 11. Pozostałe dwa nie zostaną zrobione tylko ze względu na strajk albo też zostaną bo scenariusze mogą być już na tyle gotowe.
Ze względu na fakt, że:

MOONLIGHT has placed first in adults 25-54 and adults 18-49 for three consecutive weeks and five of the last six weeks this season.

Czyli na 5 z 6 emisji był najlepszy w swojej godzinie w dwóch najważniejszych dla rekalmodawców grupach wiekowych, rokowania są bardzo dobre.
Dodatkowo:

four additional scripts ordered on 10/23/07

23 października zamówiono 4 kolejne scenariusze, w sumie 17 odcinków.

Wszystko zależy od strajku, ale normalnie wszystko wskazywałoby na cały sezon